"First rate analysis at a cut-rate price." — Creative Screenwriting
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Flashbacks and dreams place us in the mind of the character who is relating them. This causes us to identify with that character, drawing us into their story. Unless that character is our main character, though, our empathy will be split, and the dramatic force of the narrative weakened. Flashbacks interrupt the narrative flow, and should be used only when it's not possible to tell the story chronologically. Don’t use a flashback to merely to illustrate what the characters are relating verbally. It’s often more effective to remain focused on the character who is telling the story, so as to gauge what the experience means to them. If you use flashbacks, make certain they are motivated. Lead into the flashback by focusing on the character who is experiencing it, and then return to that same character after the flashback. The events may not be as significant as how the character feels about them. Consequently, it's essential that we see the character's reaction.
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Copyright © 2008 by Michael Ray Brown. All rights reserved.
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