Some script doctors try to
shoehorn your story into a
one-size-fits-all movie paradigm. They are doing you a disservice. Different
genres have different rules. The "hero myth" formula, for example, may work
fine with The Lord of the Rings, but it's not necessarily applicable
to There's Something About Mary. Each story has its own dynamics.
"I've used a lot of script consultants in Hollywood. I must say that
Michael Brown's development notes are far superior to any other script
consultants I've used. His analysis is what I believe garnered my
sci-fi thriller script two 'considers.' The insight I've gained from
Michael's many years of studio experience has advanced my screenwriting
skills tremendously." Kent Probst, screenwriter
"Brown writes intelligently and coherently, his command of language
helping to illuminate his command of craft." Nancy Hendrickson in
Creative Screenwriting magazine
(Read her review of Story Sense script analysis.)
"Michael Ray Brown's analysis was spot-on and provided
me exactly what I needed to make my final polish." Ken
Mora, screenwriter (winner of
20/20 Screenwriting
Contest, Century City Film Festival, and
Screenwriter Showcase)
"Occasionally a script just stumps you. After 12 years of writing
professionally, this was my first experiment in turning to a consultant and I
wish I had tried it sooner. Getting a take from someone who doesn't know
you or your work, someone who will read the script without preconceptions, just
as any producer would, is invaluable. When you work on a script for
months, you can write yourself into a box and it takes the eye of an outsider to
help you break out of the box. Your feedback was most helpful in that
respect. I have, in fact, incorporated many of your suggestions."
Kat Smith, screenwriter
"Finding my way to Michael Ray Brown, what initially struck me was the
resource material on his website (access to which was free), accompanied by
his lengthy "resume" and outstanding references over 20 years. Along
with his competitive, if not superior (low) fees, was this too good to be
true? Not, as it turns out, if the professional truly enjoys what he
does for a living and wants to help advance the art." Steve Garry,
screenwriter
"The best 500 bucks I have ever spent!!!"
Sandra Vaughan, novelist and screenwriter
"Your consultation was instrumental in my contest successes. I even
attended the Worldfest Houston, where my script won first place in the
family division." Erna Mueller, novelist and screenwriter
"I've used several script consultants. You certainly provide the
most thorough and detailed analysis, and it's very much appreciated
particularly the mark up on the hard copy."
Jeff Evans, JC-Evans
Communications
"Wow. Really helpful to the bone.... It feels so deeply useful to have my work seen with the
clarity and interest that you share." Deborah Allen, novelist and
screenwriter
"My script The Devil Protects His Own just won 3rd place in the
Applause Screenwriting Competition. You gave me essential notes that
helped me improve the script, so let me express my gratitude."
Kris Hall,
screenwriter
"From the first e-mail to our final consultation, Michael
provided clear and intelligent input. He was a great help in
getting me over the rough spots in my story. All this, and he does it with
great talent and humor." Katherine M. Francis, screenwriter
"I highly recommend the services of Michael Ray Brown of Story Sense. If
you need someone to help you develop your script, he's the guy. His
background is unbelievable, and yet he takes such pride and heart in helping
writers. After talking with him, I couldn't wait to start rewriting.
Before you show your work to anyone, contact him first!"
Phyliss
Esposito, playwright and screenwriter
"Michael Brown is bright, helpful and easy to work with."
Greg
Foster, former MGM production executive
"Once again, I want to thank you for your excellent advice and concise
assessments. They have proved to be an invaluable aid in my second
draft." Michael Price, screenwriter
"Michael's Development Notes have proven invaluable as I head toward a
rewrite. His insights and guidance showed me blind spots and
deficiencies which I was having trouble seeing. More importantly,
Michael offered constructive and creative solutions which would work
organically within the context of my story. It's a good feeling to know
someone of Michael's caliber and savvy is available to help me develop my
voice and craft." Jay Caldwell, private art dealer and screenwriter
"I want to thank you for the clarity and eloquence of your notes on Only
Son." John Pielmeier, playwright and screenwriter (Agnes of God, Flowers
for Algernon)
