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Montage or Series of Shots?
Writers are often confused about how to present a series of short scenes that
are illustrative or transitional in nature. When the shots are so short
and disjointed as to make it awkward to present them as scenes, then a “SERIES
OF SHOTS” is the answer.
Montages, on the other hand, are usually transitional, with each shot
dissolving into the next one, and they often don’t involve the principal
characters. For example, a montage of a flight might include the airplane
taking off, dissolving into an animated line showing its progress across a map,
dissolving into a shot of the plane flying through the clouds, dissolving into a
shot of it landing.
Montages tend to be used less often than a series of shots.
In either case, the images should not be random, but progress the narrative
and build to a climax.
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Standard screenplay format
dictates they begin with a slug line describing the
content. It’s not sufficient just to describe them in paragraphs of
action. |
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scene heading,
starting with a capital letter “A” and a closed parenthesis, followed by two
spaces: |
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SERIES OF SHOTS - JONES RUNS ACROSS MANHATTAN
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A) |
Dodging dogs on leashes in
Central Park.
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B) |
Weaving through stopped traffic
at Times Square, dodging a bicycle messenger.
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C) |
Hustling into the Canal Street
subway entrance.
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The text in each shot should wrap beneath the text, not beneath the
letter of the outline. This is essentially a hanging indent. Unfortunately, most script formatting software
cannot handle a hanging indent. You must insert a hard return at the end
of each line, and then type four spaces to indent the next line. To prevent each
line in a shot from being double-spaced, press “Shift” simultaneously with the
“Enter” key. |
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Unlike with a
flashback, there is no need to tell us when the montage
or series of shots ends. We
know it has ended when we see a new scene heading.
Always start a new scene (with a complete heading) after a montage or a series
of shots. |


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